Step by step: Take your ﬂash off-camera
But (in our opinion) 90% of photography is not about ﬁnding the right subject, or even getting the composition spot on, it’s actually learning about the light – its quality, position, intensity and color.
As photographers, we don’t have to wait for the light to be right, or make the best of what we’ve got, we can take control of it. Most of us have a ﬂashgun lying around, but never use it.
We’re going to change that, so dust yours off, buy some cheap wireless ﬂash triggers and put your ﬂashgun to work. This issue we’ll start with simply taking it off-camera. We’ll show you how to set your ﬂashgun up, get it ﬁring and balance its power with your camera settings for a stunning portrait. You don’t need any fancy equipment.
A kit lens such as the 18-55mm f/3.5-5.6 will be ﬁne for this, as it’s the light that makes the shot. We’ve used a maximum aperture of f/5.6, so you can see that super-wide aperture isn’t essential for taking great photos. And there are no light meters here – we’re going guerrilla-style to use our off-camera ﬂash in the simplest way possible.
Quick tip: You can do this indoors or outdoors, so have a play in a variety of locations. If you find yourself outside on a sunny day, put the sun behind your model’s shoulder and use your flashgun to fill the model with light from the front.
Step 1. Fit your triggers
Attach your wireless triggers to your camera and ﬂash. We picked up some Neewer triggers for just £10 ($20). The transmitter sits on your camera’s hotshoe and sends a signal when the shutter is activated. The receiver sits under the ﬂash and triggers it when it receives the signal.
Step 2. Prepare for manual
It’s manual ﬂash only with most low-cost triggers, including ours – TTL is not supported. TTL (through the lens) is when the camera ‘talks’ to the ﬂash and sets the power based on the camera settings. Manual just means you have to adjust the ﬂash power yourself.
Step 3. Use a stand
Put your ﬂashgun on a light stand. You can get a cheap one, like our König KN-LS10, online for £10 ($20). If you don’t have a stand, place it on a nearby surface – but this isn’t ideal, as it will limit the height and position at which you’re able to place your ﬂash. A stand is more ﬂexible.
Step 4. Get set up
Get your model into position, then set up your DSLR. To start, set it to 1/200 sec, f/5.6, and ISO200. (1/200 sec is our ﬂash sync speed, and f/5.6 is our lens’s widest aperture.) Put your ﬂash to the side of your model at head height, three feet away, set to half power, then take a shot.
Step 5. Try more options
Next, set the ﬂash ﬁve feet from your model, aimed at them, and positioned 45 degrees to one side relative to the camera. It should sit about a foot above the model’s head. Keep experimenting – after a few photos we moved our ﬂash 90 degrees camera left to get sidelight.
Step 6. Adjust the light
If your shot is under-exposed, increase the ISO or the ﬂash power – or the opposite if the shot is over-exposed. If you’re using an 18-55mm kit lens, you’re already at the widest aperture setting. The shutter speed won’t make a difference to the ﬂash’s intensity, so leave it alone.
Step 7. Find your balance
Set your white balance to ‘ﬂash’ for accurate color reproduction. If you’re shooting in RAW you needn’t worry about this, as you can change it later, but it’s imperative when shooting straight to JPEG because you can’t change this after the fact. The shot above is half-Auto, half-Flash.